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To witness the beginning of a star is usually a exceptional point—but in 2021, we witnessed two. It was just each week into January that Olivia Rodrigo’s “drivers license” arrived, a debut one so rapid and so relatable that it swiftly became a pop cultural landmark, a Track from the Calendar year-degree assertion that felt just like a affir

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David Lynch’s sensuous, gorgeously impenetrable prequel to his zeitgeist-grabbing TV serial may have divided audiences, but even its staunchest haters have to admit which the songs is magical. Through the ominously jazzy muted trumpet on the opening concept for the stacked synthesisers of closer ‘The Voice of Love’, via rumbling dissonance, o

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